Caroline Christie-Coxon’s Circle Culture is a conceptual framework that deconstructs linearity in favour of a cyclical, relational mode of thinking. Rooted in her Fluid Loop motif an evolving visual language of movement and interconnectedness Circle Culture engages with ecological philosophy, cultural continuity, and non-hierarchical knowledge systems. It proposes a paradigm shift in contemporary art: from Cartesian dualism to an organic, fluid ontology that reflects the interwoven rhythms of nature and human experience. As both a movement and a philosophy, Circle Culture positions art as an active agent in the transformation of global consciousness.

Circularity is inherent to the human experience. Christie-Coxon actions fluid loops, endless in its iterations and forms, a symbol created to represent the vastness of concepts relating to unity, duality, oneness, and the endless return. An ode to materiality, each circle is a deliberate gesture ultimately resolved by nature; revelations of alchemy at the intersection of structure and liberation. One may see the fluid loop as a modern hybrid of the ancient Ouroboros and Japanese ensō, iconic in the context of the global issues humanity faces today, symbolic of a culture seeking circularity, connection, and inclusivity.

Process and circularity characterize Christie-Coxon’s work; no two forms are the same; these ‘imperfect’ circles allow for - and embrace - variation. The Circle loops back, informing itself repeatedly. In ‘collaborating’ with paint, Christie-Coxon’s works become visual records of revelations at the intersect of gesture and process. Pigmented substances are engaged as elemental and reactive, presented at scale and in action. The process of making is not hidden, but rather remains a prominent aspect of the completed work.